When Botany Meets Body Horror: The Unsettling Genius of 'Vines'

A review of the award-winning body horror short film 'Vines', which explores the theme of climate change through the lens of a mad botanist's twisted experimentation.
When Botany Meets Body Horror: The Unsettling Genius of 'Vines'

The Sinister Harmony of Botany and Humanity

As I reflect on the chaotic state of our world, I am reminded of the profound impact that art can have on our understanding of the existential crises that plague us. Climate change, in particular, has become a rallying cry for politicians and activists alike, yet it is through the lens of art that we can truly begin to grasp the severity of this issue.

Recently, I had the opportunity to experience this firsthand with the hauntingly atmospheric body horror short film, ‘Vines’. This masterclass in tension and suspense not only took home a trio of awards at the Seattle Film Festival but has also left an indelible mark on my psyche.

A mad botanist’s lair

At its core, ‘Vines’ is a tale of Doctor Harold Madsen, a misanthropic botanist who seeks to merge human and plant DNA in a twisted quest for a new world order. Through his experimentation, Madsen rationalizes his actions by invoking biblical interpretations, showcasing a man who has abandoned his humanity in favor of a pseudoscientific revelation.

What sets ‘Vines’ apart is its eerie ability to balance the grotesque with the blackly comedic, a tone that director Luke Zwanziger has mastered. In a Q&A, Zwanziger jokingly pondered the possibility of a world where a mad botanist might not be entirely wrong in his convictions. This gallows humor is expertly woven throughout the film, making the viewing experience all the more unsettling.

The horrors of Madsen’s experimentation

The award-winning editing of David Westor, coupled with the unnerving score of Robington Hobbs, creates an atmosphere that is both captivating and deeply uncomfortable. It is a testament to the power of body horror as a medium for exploring complex themes.

As the credits rolled, I couldn’t help but feel a sense of unease, a sense that lingered long after the lights came back up. It is this same feeling that I believe Zwanziger and his team were aiming for – a sense of cosmic terror that refuses to be shaken.

With plans for a full-length feature version of ‘Vines’ already in the works, I can only imagine the darker, more expansive routes that Doctor Madsen’s research will take. As a horror fan, the prospect is both thrilling and terrifying.

The fusion of human and plant life