The Bikeriders: A Slow Burn of Oil-Stained Americana
In the 1960s, Chicago was a city of contrasts, where the sounds of blues and jazz filled the air, and the roar of motorcycles echoed through the streets. It was a time of rebellion, of nonconformity, and of freedom. And amidst this backdrop, a photojournalist, played by Mike Faist, embarked on a journey to document the lives of a motorcycle gang, known as The Vandals.
The Vandals, a group of lawless men, living life on their own terms.
The film, directed by Jeff Nichols, is a slow burn, a deliberate and contemplative study of the human condition. It’s a story of loyalty, of brotherhood, and of the struggles that come with living on the fringes of society. At the heart of the film is Benny, played by Austin Butler, a quiet and contemplative loyalist, who finds himself torn between his loyalty to the gang and his love for Kathy, played by Jodie Comer.
Austin Butler shines as Benny, a complex and nuanced character.
The film is a visual feast, with cinematographer Adam Stone capturing the sun-baked hues of the American Midwest. The camera lingers on the bikes, on the open roads, and on the faces of the characters, capturing the essence of the era. It’s a film that’s more concerned with atmosphere and mood than with plot, and it’s all the better for it.
The bikes, a symbol of freedom and rebellion.
Butler’s performance is a standout, a masterclass in subtlety and restraint. He’s a man of few words, but his presence is felt throughout the film. He’s ably supported by a talented cast, including Tom Hardy, Michael Shannon, and Norman Reedus.
Tom Hardy brings a sense of gravitas to the film.
The Bikeriders is a film that’s more concerned with the journey than the destination. It’s a slow burn, a film that takes its time to unfold, but one that’s richly rewarding. It’s a film that’s all about the atmosphere, the mood, and the characters. And it’s a film that’s sure to leave a lasting impression.
The Vandals, a group of outcasts, living life on their own terms.
