A Dismal Dive into the Depths of ‘Swakaryam Sambhava Bahulam’

The latest film to hit screens, Swakaryam Sambhava Bahulam (SSB), directed by Naseer Badarudeen, attempts to delve into the sensitive subject of violence against women but unfortunately falters from the start. With a conventional narrative style and lackluster direction, viewers are offered a dismal cinematic experience that trivializes very serious issues.

The Film’s Premise and Execution

SSB opens with an ordinary montage capturing the morning hustle of Thiruvananthapuram, accompanied by a pleasant score meant to evoke sentiments of a new day. As we are drawn into the everyday life of Raveendran, portrayed by Jeo Baby, intrigue begins when two police officers question him about his missing son-in-law, Pushparajan.

Upon arrival, the officers catch Raveendran in what appears to be an evasive act, as he buries something in his backyard. His casual response, claiming ignorance about Pushparajan’s whereabouts while assuring the officers that he is merely burying a deceased dog, would put any viewer on edge. Sadly, this scene is repeated in its entirety again at intermission, showcasing a lack of narrative dynamism that is frustrating and uninspired.

The first look poster of Swakaryam Sambhava Bahulam, revealing its intriguing premise but falling short on execution.

The Male Gaze and Trivialization of Trauma

Despite its intentions to explore women’s trauma, SSB perpetuates the male gaze throughout its narrative. The film leans toward a storyline that prioritizes the male protagonist’s quest for vengeance, overshadowing the poignant experiences of its female characters. This viewpoint starkly undermines the film’s message and reduces its potential as a sensitive exploration of gender dynamics.

The dialogues come across as emotionless recitations rather than heartfelt exchanges, stripping characters of authenticity. By placing the protagonist in a mental health institution, it seems to aspire to address the psychological struggles of individuals. However, the execution is muddled and lacks clarity.

Missed Opportunities and Failed Humor

Interestingly, the film teases viewers with a potentially charming subplot revolving around romance between Raveendran and Ambili, played by Minnal Murali fame Shelly. Yet, the narrative fails to develop this relationship adequately, opting instead to wander aimlessly over various social issues that might have been more engaging.

Additionally, moments meant to bring levity, featuring characters played by Sajin Cherukayil and Sudheer Paravoor, are tragically unfunny, serving only to amplify the film’s overall mediocrity. High school romances included within the script fall flat, presenting dialogues that feel stuck in a bygone era.

The Overused Tropes

Throughout its duration, SSB recalls themes and scenes from other films, including Drishyam which it blatantly references in a manner resembling a half-hearted spoof. Such overused tropes, juxtaposed with lackluster performances, create an experience that leaves much to be desired.

Ultimately, SSB appears as an unfocused attempt, leading to a conclusion that underscores a convoluted narrative filled with rhetorical desperation and emotional detachment. It’s unfortunate that what could be a crucial discourse on women’s issues devolves into a mere shadow of better cinematic endeavors.

Conclusion

In summary, Swakaryam Sambhava Bahulam is a film that flounders under the weight of its own ambition. With a rating of 1 out of 5 stars, it is a reminder of the importance of thoughtful and sensitive storytelling in addressing issues of such gravity. The failure to engage meaningfully results in a forgettable film that neither captivates nor informs.

Film: Swakaryam Sambhava Bahulam
Cast: Jeo Baby, Shelly, Annu Antony, Sajin Cherukayil
Director: Naseer Badarudeen
Rating: 1/5 stars

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