A Mother’s Descent into Chaos
In Annie Baker’s phenomenal directorial debut, ‘Janet Planet’, Julianne Nicholson masterfully portrays a single mother, Janet, who is desperately trying to keep her life together. Set in a bohemian enclave of Massachusetts during the summer of 1991, this tone-perfect drama delves into the complexities of mother-daughter relationships and the struggles of growing up.
A nostalgic snapshot of the summer of 1991
Janet’s 11-year-old daughter, Lacy, played by Zoe Ziegler, is a force to be reckoned with. Her sharp wit and guarded nature serve as a stabilizing force in their home, which is often disrupted by Janet’s various lovers and friends. As the story unfolds, we see Lacy’s willingness to manipulate those around her to get her mother’s attention, even if it means using drastic measures.
‘Hi, I’m gonna kill myself.’
This bold statement sets the tone for the rest of the film, which expertly explores the themes of longing, self-worth, and the struggles of adolescence. Baker’s delicate storytelling style leaves much unsaid, allowing the audience to fill in the gaps and reflect on their own experiences.
A glimpse into Janet’s psychedelic experience
One of the most poignant scenes in the film takes place when Janet, under the influence of psychedelics, begins to open up about her harsh self-judgment. However, her moment of vulnerability is interrupted by her friend Regina, played by Sophie Okonedo, and the conversation quickly shifts to the frustrations of being interrupted. This subtle yet powerful exchange highlights the complexities of female relationships and the struggles of communication.
As the story progresses, we see Janet’s world through the eyes of Lacy, who is determined to push the interlopers out of their home. This quiet yet powerful dynamic is expertly captured by Baker’s direction and the cinematography of Maria von Hausswolff, which evokes the grainy, intimate feel of a home movie.
A glimpse into the bohemian enclave of Massachusetts
Baker’s unique style, often described as realism or naturalism, is redefined in this film as ‘organic’ – a term that perfectly captures the purity of capturing a setting so accurately that it roots the characters’ quiet beliefs. This attention to detail is evident in every aspect of the film, from the ‘Free Tibet’ bumper sticker to the bottle of henna shampoo.
A nostalgic snapshot of childhood memories
As the credits roll, we’re left pondering the questions that Baker so expertly raises: What turns stubborn girls into pliable women? Was our personality forged in opposition to our parents, or will we repeat their mistakes? These thought-provoking themes linger long after the film ends, making ‘Janet Planet’ a truly unforgettable experience.
Rating: PG-13 ** Runtime:** 113 minutes Contains: Brief strong language and parental drug use
