Mother, Couch: A Promising yet Flawed Debut

Family dynamics can be messy, and Niclas Larsson’s feature debut, Mother, Couch, sets out to capture the weirdness and absurdities of these relationships. With an impressive cast, including Ewan McGregor, Rhys Ifans, and Taylor Russell, Larsson’s ambition is clear, but ultimately, the film falters due to its lack of focus and emptiness.

The emptiness of the parking lot reflects the emptiness of the film

Larsson’s script and direction are heavily influenced by filmmakers like Ari Aster and Charlie Kaufmann, but unlike these masters, Mother, Couch fails to provide a clear journey or emotional depth to its characters. The film’s main character, David (Ewan McGregor), is not given enough depth to stick out, despite McGregor’s brief moments of brilliance.

The family’s dynamics are messy, but the film fails to explore this further

The cast, which also includes Ellyn Burstyn and F. Murray Abraham, is wasted, with one-note performances that lack emotional depth. The theme of the lack of relationship between siblings is only referenced throughout the film, but never fully explored.

Ewan McGregor’s performance is the highlight of the film

However, in the third act, Mother, Couch finally shines, and Larsson’s script and direction feel most comfortable in their weirdness. The moments make sense, and McGregor’s performance becomes highly emotional and deep. This is where the film’s themes are realized and explored in highly original and thought-provoking ways.

The couch in the furniture store becomes a symbol of the family’s struggles

Mother, Couch is a promising debut, but it falls short due to its lack of focus and emptiness. However, Larsson’s ambition is exciting, and I am left hopeful and optimistic for what’s to come.

Grade: D+