MaXXXine: A Desperate Attempt at Hollywood History
MaXXXine, the latest installment in Ti West’s X trilogy, is a film that desperately wants to be a part of Hollywood history. With its constant references to classic films and self-reflexive aesthetic approach, it’s clear that West is trying to make a statement about the industry. But does it have the smarts and intrigue to back it up?
The glamour of old Hollywood
MaXXXine follows the career of Maxine Minx, an adult film actress who survived a massacre in Texas and now aims to make it big as a movie star. The film is set in the 1980s, a time of great change and upheaval in the industry. With its period setting and nostalgic value, MaXXXine is a love letter to the excess and decadence of old Hollywood.
Mia Goth shines as Maxine Minx
But despite its promising premise, MaXXXine ultimately falls flat. The film’s constant references to classic films and filmmakers feel like a desperate attempt to seem smart and cultured. It’s like West is trying to check off a list of “cool” references, rather than genuinely exploring the themes and ideas that make those films great.
Ti West’s vision falls short
I remember watching X, the first film in the trilogy, and being blown away by its visceral energy and smart commentary on the sex and violence in American cinema. But with MaXXXine, it feels like West has lost his way. The film’s gory murders and gratuitous nudity feel like a cheap attempt to shock and titillate, rather than a genuine exploration of the human condition.
The elusive dream of Hollywood stardom
In the end, MaXXXine feels like a missed opportunity. With its fascinating premise and talented cast, it could have been a truly great film. But instead, it’s a shallow and vacuous exercise in style over substance.
“I’m not bad. I’m just drawn that way.” - Jessica Rabbit
A nod to the classic femme fatales of Hollywood
MaXXXine may not be the film that Ti West intended it to be, but it’s still a fascinating case study in the perils of ambition and the dangers of trying too hard.
The never-ending quest for cinematic greatness
